![]() The extradiegetic level serves as an outward limit to the extent of the diegetic level of narrative (3). For him, diegesis means a level of narration the extradiegetic level is above the main story and its world, the diegetic level consists of the main story, and the hypodiegetic level is for stories inside the main story (4). ![]() Gerard Genette explains diegesis in a different manner. Told by the narrator, diegsis is a summary of events, inevitably filtering out chunks and pieces of the actual happenings from the narrator’s perspective (3). The meaning of the word has undergone some changes over time, so that the diegesis/mimesis dichotomy has evolved from meaning two modes of telling to telling and showing, but voice still plays an important role in understanding diegsis. Diegesis was a category that included both plain diegesis, told by a single narrator, and diegesis by mimesis. ![]() For the ancient authors, the identity of the speaker was a determinate factor, with the voice of an authorial narrator corresponding to diegesis and the voice of other agents in the text to mimesis. Historically, it appears first in Plato’s Republic and Aristotle’s Poetics. It denotes indirect representation of actions or thoughts by the narrator, as opposed to mimesis, a direct representation resembling a show on a stage (2). Diegesis comes from the Greek verb diegeisthai, meaning “to lead/guide through”(1).
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